Carl Sagan Issues a Chilling Warning About the Decline of Scientific Thinking in America: Watch His Final Interview (1996)

Until the end of his life, Carl Sagan (1934–1996) con­tin­ued doing what he did all along — pop­u­lar­iz­ing sci­ence and “enthu­si­as­ti­cal­ly con­vey­ing the won­ders of the uni­verse to mil­lions of peo­ple on tele­vi­sion and in books.” When­ev­er Sagan appeared on The Tonight Show with John­ny Car­son dur­ing the 70s and 80s, his goal was to con­nect with every­day Amer­i­cans — peo­ple who did­n’t sub­scribe to Sci­en­tif­ic Amer­i­can — and increase the pub­lic’s under­stand­ing and appre­ci­a­tion of sci­ence.

At the end of his life, Sagan still cared deeply about where sci­ence stood in the pub­lic imag­i­na­tion. But while los­ing a bat­tle with myelodys­pla­sia, Sagan also sensed that sci­en­tif­ic think­ing was los­ing ground in Amer­i­ca, and even more omi­nous­ly with­in the cham­bers of the Newt Gin­grich-led Con­gress.

Dur­ing his final inter­view, aired on May 27, 1996, Sagan issued a strong warn­ing, telling Char­lie Rose:

We’ve arranged a soci­ety on sci­ence and tech­nol­o­gy in which nobody under­stands any­thing about sci­ence and tech­nol­o­gy, and this com­bustible mix­ture of igno­rance and pow­er soon­er or lat­er is going to blow up in our faces. I mean, who is run­ning the sci­ence and tech­nol­o­gy in a democ­ra­cy if the peo­ple don’t know any­thing about it.

And he also went on to add:

And the sec­ond rea­son that I’m wor­ried about this is that sci­ence is more than a body of knowl­edge. It’s a way of think­ing. A way of skep­ti­cal­ly inter­ro­gat­ing the uni­verse with a fine under­stand­ing of human fal­li­bil­i­ty. If we are not able to ask skep­ti­cal ques­tions, to inter­ro­gate those who tell us that some­thing is true, to be skep­ti­cal of those in author­i­ty, then we’re up for grabs for the next char­la­tan polit­i­cal or reli­gious who comes ambling along.

Near­ly 20 years lat­er, we have reached that point. Under the sec­ond Trump admin­is­tra­tion, DOGE has rushed to dis­man­tle the sci­en­tif­ic infra­struc­ture of our gov­ern­ment, hap­haz­ard­ly cut­ting the Nation­al Sci­ence Foun­da­tion, the Nation­al Insti­tutes of Health, and NASA. Next, they’re going after our lead­ing research uni­ver­si­ties, inten­tion­al­ly weak­en­ing the research engine that has fueled the growth of Amer­i­can corporations—and the over­all Amer­i­can economy—since World War II. And they’re replac­ing sci­en­tif­ic lead­ers with char­la­tans like RFK Jr. who dab­ble in the very pseu­do­science that Sagan warned us about. Need­less to say, our com­peti­tors aren’t mak­ing the same mis­takes. Few seri­ous gov­ern­ments are stu­pid enough to cut off their nose to spite their face.

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Relat­ed Con­tent:

The Steps a Pres­i­dent Would Take to Destroy His Nation, Accord­ing to Elon Musk’s AI Chat­bot, Grok

Carl Sagan Presents His “Baloney Detec­tion Kit”: 8 Tools for Skep­ti­cal Think­ing

Richard Feyn­man Cre­ates a Sim­ple Method for Telling Sci­ence From Pseu­do­science (1966)

Daniel Den­nett Presents Sev­en Tools For Crit­i­cal Think­ing

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The Real Story of Easter: How We Got from the First Easter in the Bible to Bunnies, Eggs & Chocolate

Pop­u­lar cul­ture has long since claimed East­er as an occa­sion for trick­ster rab­bits, dyed-egg hunts, and marsh­mal­low chicks of unnat­ur­al hues — none of which are actu­al­ly in the Bible. Though that prob­a­bly does­n’t sur­prise you, you may not be aware of just how far the mod­ern hol­i­day has drift­ed from its tex­tu­al ori­gins. In the new Hochela­ga video above, that Youtube chan­nel’s Tom­mie Trelawny recounts first the Bib­li­cal sto­ry at the basis of all this, that of the death and res­ur­rec­tion of Jesus. Then he exam­ines how the lat­ter event has since been com­mem­o­rat­ed, an evo­lu­tion that has led to the East­er we know today.

“Jesus’ res­ur­rec­tion would have been cel­e­brat­ed in the very ear­li­est days of Chris­tian­i­ty,” Trelawny explains. “Ini­tial­ly, it was held on the feast of Passover, but even­tu­al­ly, it branched off into its own dis­tinct hol­i­day.” That ini­tial over­lap is reflect­ed in the resem­blance between Pesach, the Hebrew word for Passover, and the Span­ish and French names for East­er, Pas­cua and Pâques.

As for the Eng­lish word East­er itself, it res­onates with the name of “the Ancient Sax­on god­dess Ēostre, deity of spring and fer­til­i­ty.” Much as the Roman mid-win­ter fes­ti­val Sat­ur­na­lia may have inspired Christ­mas, could the pre-Chris­t­ian hol­i­day for Ēostre have inspired East­er?

To an extent, per­haps, though as Trelawny under­scores, East­er was very much derived from Passover. Yet its asso­ci­a­tions with spring­time go well beyond the time of year in which it occurs, not least in the form of all those eggs. In fact, “dec­o­rat­ed eggs are an ancient cus­tom that pre­dates Chris­tian­i­ty by many cen­turies.” Hav­ing stood as “a uni­ver­sal sym­bol for new life,” they also offered Chris­tians an eas­i­ly leg­i­ble “metaphor for Jesus’ sealed tomb, and crack­ing it open as a sym­bol of his res­ur­rec­tion.” As for the East­er Bun­ny, he has a prece­dent in the Ger­man­ic East­er Hare, who “judged chil­dren on whether they’ve been good or bad” — now soft­ened up, pre­dictably, after so many years in Amer­i­ca.

Relat­ed con­tent:

Down­load Beau­ti­ful Free Vin­tage East­er Cards from the New York Pub­lic Library

Stream Andrea Bocelli’s East­er Con­cert from Milan

A Map of All the Coun­tries Men­tioned in the Bible: What The Coun­tries Were Called Then, and Now

A Sur­vival Guide to the Bib­li­cal Apoc­a­lypse

Did the Tow­er of Babel Actu­al­ly Exist?: A Look at the Archae­o­log­i­cal Evi­dence

The Ark Before Noah: Dis­cov­er the Ancient Flood Myths That Came Before the Bible

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

How to Evade Taxes in Ancient Rome: A 1,900-Year-Old Papyrus Reveals an Ancient Tax Evasion Scheme

It was sure­ly not a coin­ci­dence that the New York Times pub­lished its sto­ry on the tri­al of a cer­tain Gadalias and Sau­los this past Mon­day, April 14th. The defen­dants, as their names sug­gest, did not live in moder­ni­ty: the papyrus doc­u­ment­ing their legal trou­bles dates to the reign of Hadri­an, around 130 AD.  These men were charged, writes the Times’ Franz Lidz, with “the fal­si­fi­ca­tion of doc­u­ments and the illic­it sale and man­u­mis­sion, or free­ing, of slaves — all to avoid pay­ing duties in the far-flung Roman provinces of Judea and Ara­bia, a region rough­ly cor­re­spond­ing to present-day Israel and Jor­dan.”

In oth­er words, Gadalias and Sau­los were accused of tax eva­sion, a sub­ject always on the mind of Amer­i­cans under the shad­ow of their tax-return due date, April 15th. While the prospect of an IRS audit keeps more than a few of them awake at night, ancient Roman law went, pre­dictably, quite a bit harsh­er.

“Penal­ties ranged from heavy fines and per­ma­nent exile to hard labor in the salt mines and, in the worst case, damna­tio ad bes­tias, a pub­lic exe­cu­tion in which the con­demned were devoured by wild ani­mals,” writes Lidz. Such a fate pre­sum­ably would­n’t have been out of the ques­tion for those con­vict­ed of a crime of these pro­por­tions.

The long-mis­clas­si­fied doc­u­ment of this case was only prop­er­ly deci­phered, and even under­stood to have been writ­ten in ancient Greek, after its redis­cov­ery in 2014. “A team of schol­ars was assem­bled to con­duct a detailed phys­i­cal exam­i­na­tion and cross-ref­er­ence names and loca­tions with oth­er his­tor­i­cal sources,” which result­ed in this paper pub­lished this past Jan­u­ary. For any schol­ar of Roman law, such an oppor­tu­ni­ty to get into the minds of both that civ­i­liza­tion’s judges and its crim­i­nals could hard­ly be passed up. Even out on the edge of the empire, pros­e­cu­tors turn out to have employed “deft rhetor­i­cal strate­gies wor­thy of Cicero and Quin­til­ian and dis­played an excel­lent com­mand of Roman legal terms and con­cepts in Greek.” This will no doubt get today’s law stu­dents spec­u­lat­ing: specif­i­cal­ly, about the exis­tence of an ancient Chat­G­PT.

via NYTimes

Relat­ed con­tent:

To Save Civ­i­liza­tion, the Rich Need to Pay Their Tax­es: His­to­ri­an Rut­ger Breg­man Speaks Truth to Pow­er at Davos and to Fox’s Tuck­er Carl­son

Read David Fos­ter Wallace’s Notes From a Tax Account­ing Class, Tak­en to Help Him Write The Pale King

Don­ald Duck Wants You to Pay Your Tax­es (1943)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

How to Enter a ‘Flow State’ on Command: Peak Performance Mind Hack Explained in 7 Minutes

You can be for­giv­en for think­ing the con­cept of “flow” was cooked up and pop­u­lar­ized by yoga teach­ers. That word gets a lot of play when one is mov­ing from Down­ward-Fac­ing Dog on through War­rior One and Two.

Actu­al­ly, flow — the state of  “effort­less effort” — was coined by Goethe, from the Ger­man “rausch”, a dizzy­ing sort of ecsta­sy.

Friedrich Niet­zsche and psy­chol­o­gist William James both con­sid­ered the flow state in depth, but social the­o­rist Mihaly Csik­szent­mi­ha­lyi, author of Cre­ativ­i­ty: Flow and the Psy­chol­o­gy of Dis­cov­ery and Inven­tion, is the true giant in the field. Here’s one of his def­i­n­i­tions of flow:

Being com­plete­ly involved in an activ­i­ty for its own sake. The ego falls away. Time flies. Every action, move­ment, and thought fol­lows inevitably from the pre­vi­ous one, like play­ing jazz. Your whole being is involved, and you’re using your skills to the utmost.

Author Steven Kotler, Exec­u­tive Direc­tor of the Flow Research Col­lec­tive, not only seems to spend a lot of time think­ing about flow, as a lead­ing expert on human per­for­mance, he inhab­its the state on a fair­ly reg­u­lar basis, too.

Chalk it up to good luck?

Good genes? (Some researchers, includ­ing retired NIH geneti­cist Dean Hamer and psy­chol­o­gist C. Robert Cloninger, think genet­ics play a part…)

As Kotler points out above, any­one can hedge their bets by clear­ing away dis­trac­tions — all the usu­al bad­dies that inter­fere with sleep, per­for­mance, or pro­duc­tiv­i­ty.

It’s also impor­tant to know thy­self. Kotler’s an ear­ly bird, who gets crackin’ well before sun­rise:

I don’t just open my eyes at 4:00 AM, I try to go from bed to desk before my brain even kicks out of its Alpha wave state. I don’t check any emails. I turn every­thing off at the end of the day includ­ing unplug­ging my phones and all that stuff so that the next morn­ing there’s nobody jump­ing into my inbox or assault­ing me emo­tion­al­ly with some­thing, you know what I mean?… I real­ly pro­tect that ear­ly morn­ing time.

By con­trast, his night owl wife doesn’t start clear­ing the cob­webs ’til ear­ly evening.

In the above video for Big Think, Kotler notes that 22 flow trig­gers have been dis­cov­ered, pre-con­di­tions that keep atten­tion focused in the present moment.

His web­site lists many of those trig­gers:

  • Com­plete Con­cen­tra­tion in the Present Moment
  • Imme­di­ate Feed­back
  • Clear Goals
  • The Chal­lenge-Skills Ratio (ie: the chal­lenge should seem slight­ly out of reach
  • High con­se­quences 
  • Deep Embod­i­ment 
  • Rich Envi­ron­ment 
  • Cre­ativ­i­ty (specif­i­cal­ly, pat­tern recog­ni­tion, or the link­ing togeth­er of new ideas)

Kotler also shares Uni­ver­si­ty of North Car­oli­na psy­chol­o­gist Kei­th Sawyer’s trig­ger list for groups hop­ing to flow like a well-oiled machine:

  • Shared Goals
  • Close Lis­ten­ing 
  • “Yes And” (addi­tive, rather than com­bat­ive con­ver­sa­tions)
  • Com­plete Con­cen­tra­tion (total focus in the right here, right now)
  • A sense of con­trol (each mem­ber of the group feels in con­trol, but still)
  • Blend­ing Egos (each per­son can sub­merge their ego needs into the group’s)
  • Equal Par­tic­i­pa­tion (skills lev­els are rough­ly and equal every­one is involved)
  • Famil­iar­i­ty (peo­ple know one anoth­er and under­stand their tics and ten­den­cies)
  • Con­stant Com­mu­ni­ca­tion (a group ver­sion of imme­di­ate feed­back)
  • Shared, Group Risk

One might think peo­ple in the flow state would be float­ing around with an expres­sion of ecsta­t­ic bliss on their faces. Not so, accord­ing to Kotler. Rather, they tend to frown slight­ly. Good news for any­one with rest­ing bitch face!

(We’ll thank you to refer to it as rest­ing flow state face from here on out.)

Note: An ear­li­er ver­sion of this post appeared on our site in 2022.

Relat­ed Con­tent

Cre­ativ­i­ty, Not Mon­ey, is the Key to Hap­pi­ness: Dis­cov­er Psy­chol­o­gist Mihaly Csikszentmihaly’s The­o­ry of “Flow”

How to Enter Flow State, Increase Your Abil­i­ty to Con­cen­trate, and Let Your Ego Fall Away : An Ani­mat­ed Primer

How to Get into a Cre­ative “Flow State”: A Short Mas­ter­class

David Lynch Explains How Sim­ple Dai­ly Habits Enhance His Cre­ativ­i­ty

“The Phi­los­o­phy of “Flow”: A Brief Intro­duc­tion to Tao­ism

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

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A Forgotten 16th-Century Manuscript Reveals the First Designs for Modern Rockets

The Aus­tri­an mil­i­tary engi­neer Con­rad Haas was a man ahead of his time — indeed, about 400 years ahead, con­sid­er­ing that he was work­ing on rock­ets aimed for out­er space back in the mid-six­teenth cen­tu­ry. Need­less to say, he nev­er actu­al­ly man­aged to launch any­thing into the upper atmos­phere. But you have to give him cred­it for get­ting as far as he did with the idea, a con­sid­er­able progress doc­u­ment­ed in his trea­tise “How You Must Make Quite a Nice Rock­et That Can Trav­el Itself into the Heights,” which no doubt sounds bet­ter in the orig­i­nal Ger­man. As Kaushik Pato­wary notes at Amus­ing Plan­et, its 450 pages are “filled with draw­ings and tech­ni­cal data on artillery, bal­lis­tics and detailed descrip­tions of mul­ti­stage rock­ets.”

“Born in 1509 in Dorn­bach, now part of Vien­na, to a Ger­man fam­i­ly from Bavaria,” Haas moved to Tran­syl­va­nia, then part of the Aus­tri­an Empire, ear­ly in his adult­hood. “In 1551, Haas was invit­ed by Stephen Bátho­ry, the grand prince of Tran­syl­va­nia, to Her­mannstadt (now Sibiu, Roma­nia), where he became the com­man­der of the artillery bar­racks and a weapons engi­neer.”

It was in this pro­fes­sion­al capac­i­ty that he began his research into rock­etry, which led him to dis­cov­er the con­cept of “a cylin­dri­cal thrust cham­ber filled with a pow­der pro­pel­lant, with a con­i­cal hole to pro­gres­sive­ly increase the com­bus­tion area and con­se­quent­ly the thrust,” a clear intel­lec­tu­al ances­tor of the mul­ti-stage design “still used in mod­ern rock­ets.”

Haas’ is the ear­li­est sci­en­tif­ic work on rock­ets known to have been under­tak­en in Europe. And until fair­ly recent­ly, it had been for­got­ten: only in 1961 was his man­u­script found in Sibi­u’s pub­lic archives, which moti­vat­ed Roma­nia to claim Haas as the first rock­et sci­en­tist. Though anachro­nis­tic, that des­ig­na­tion does under­score the far-sight­ed­ness of Haas’ world­view. So do the per­son­al words he includ­ed in his chap­ter about the mil­i­tary use of rock­ets. “My advice is for more peace and no war, leav­ing the rifles calm­ly in stor­age, so the bul­let is not fired, the gun­pow­der is not burned or wet, so the prince keeps his mon­ey, the arse­nal mas­ter his life,” he wrote. But giv­en what he must have learned while liv­ing in polit­i­cal­ly unsta­ble Euro­pean bor­der­lands, he sure­ly under­stood, on some lev­el, that it would be eas­i­er to get to the moon.

via Messy­Nessy

Relat­ed con­tent:

A 16th-Cen­tu­ry Astron­o­my Book Fea­tured “Ana­log Com­put­ers” to Cal­cu­late the Shape of the Moon, the Posi­tion of the Sun, and More

Leonar­do da Vin­ci Draws Designs of Future War Machines: Tanks, Machine Guns & More

The Great­est Shot in Tele­vi­sion: Sci­ence His­to­ri­an James Burke Had One Chance to Nail This Scene … and Nailed It

Meet the Mys­te­ri­ous Genius Who Patent­ed the UFO

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Why Most Ancient Civilizations Had No Word for the Color Blue

In an old Zen sto­ry, two monks argue over whether a flag is wav­ing or whether it’s the wind that waves. Their teacher strikes them both dumb, say­ing, “It is your mind that moves.” The cen­turies-old koan illus­trates a point Zen mas­ters — and lat­er philoso­phers, psy­chol­o­gists, and neu­ro­sci­en­tists — have all empha­sized at one time or anoth­er: human expe­ri­ence hap­pens in the mind, but we share real­i­ty through lan­guage and cul­ture, and these in turn set the terms for how we per­ceive what we expe­ri­ence.

Such obser­va­tions bring us to anoth­er koan-like ques­tion: if a lan­guage lacks a word for some­thing like the col­or blue, can the thing be said to exist in the speaker’s mind? We can dis­pense with the idea that there’s a col­or blue “out there” in the world. Col­or is a col­lab­o­ra­tion between light, the eye, the optic nerve, and the visu­al cor­tex. And yet, claims Maria Michela Sas­si, pro­fes­sor of ancient phi­los­o­phy at Pisa Uni­ver­si­ty, “every cul­ture has its own way of nam­ing and cat­e­go­riz­ing colours.”

The most famous exam­ple comes from the ancient Greeks. Since the 18th cen­tu­ry, schol­ars have point­ed out that in the thou­sands of words in the Ili­ad and Odyssey, Homer nev­er once describes any­thing — sea, sky, you name it — as blue. It wasn’t only the Greeks who didn’t see blue, or didn’t see it as we do, Sas­si writes:

There is a spe­cif­ic Greek chro­mat­ic cul­ture, just as there is an Egypt­ian one, an Indi­an one, a Euro­pean one, and the like, each of them being reflect­ed in a vocab­u­lary that has its own pecu­liar­i­ty, and not to be mea­sured only by the sci­en­tif­ic meter of the New­ton­ian par­a­digm.

It was once thought cul­tur­al col­or dif­fer­ences had to do with stages of evo­lu­tion­ary devel­op­ment — that more “prim­i­tive” peo­ples had a less devel­oped bio­log­i­cal visu­al sense. But dif­fer­ences in col­or per­cep­tion are “not due to vary­ing anatom­i­cal struc­tures of the human eye,” writes Sas­si, “but to the fact that dif­fer­ent ocu­lar areas are stim­u­lat­ed, which trig­gers dif­fer­ent emo­tion­al respons­es, all accord­ing to dif­fer­ent cul­tur­al con­texts.”

As the Asap­SCIENCE video above explains, the evi­dence of ancient Greek lit­er­a­ture and phi­los­o­phy shows that since blue was not part of Homer and his read­ers’ shared vocab­u­lary (yel­low and green do not appear either), it may not have been part of their per­cep­tu­al expe­ri­ence, either. The spread of blue ink across the world as a rel­a­tive­ly recent phe­nom­e­non has to do with its avail­abil­i­ty. “If you think about it,” writes Busi­ness Insider’s Kevin Loria, “blue doesn’t appear much in nature — there aren’t blue ani­mals, blue eyes are rare, and blue flow­ers are most­ly human cre­ations.”

The col­or blue took hold in mod­ern times with the devel­op­ment of sub­stances that could act as blue pig­ment, like Pruss­ian Blue, invent­ed in Berlin, man­u­fac­tured in Chi­na and export­ed to Japan in the 19th cen­tu­ry. “The only ancient cul­ture to devel­op a word for blue was the Egyp­tians — and as it hap­pens, they were also the only cul­ture that had a way to pro­duce a blue dye.” Col­or is not only cul­tur­al, it is also tech­no­log­i­cal. But first, per­haps, it could be a lin­guis­tic phe­nom­e­non.

One mod­ern researcher, Jules David­off, found this to be true in exper­i­ments with a Namib­ian peo­ple whose lan­guage makes no dis­tinc­tion between blue and green (but names many fin­er shades of green than Eng­lish does). “David­off says that with­out a word for a colour,” Loria writes, “with­out a way of iden­ti­fy­ing it as dif­fer­ent, it’s much hard­er for us to notice what’s unique about it.” Unless we’re col­or blind, we all “see” the same things when we look at the world because of the basic biol­o­gy of human eyes and brains. But whether cer­tain col­ors appear, it seems, has to do less with what we see than with what we’re already primed to expect.

Note: An ear­li­er ver­sion of this post appeared on our site in 2021.

Relat­ed Con­tent: 

A 3,000-Year-Old Painter’s Palette from Ancient Egypt, with Traces of the Orig­i­nal Col­ors Still In It

How the Ancient Greeks & Romans Made Beau­ti­ful Pur­ple Dye from Snail Glands

Dis­cov­er the Cyanome­ter, the Device Invent­ed in 1789 Just to Mea­sure the Blue­ness of the Sky

YIn­Mn Blue, the First Shade of Blue Dis­cov­ered in 200 Years, Is Now Avail­able for Artists

How Ancient Greek Stat­ues Real­ly Looked: Research Reveals Their Bold, Bright Col­ors and Pat­terns

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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The Ark Before Noah: Discover the Ancient Flood Myths That Came Before the Bible

The Lord said to Noah, there’s going to be a floody, floody; then to get those chil­dren out of the mud­dy, mud­dy; then to build him an arky, arky. This much we heard while toast­ing marsh­mal­lows around the camp­fire, at least if we grew up in a cer­tain mod­ern Protes­tant tra­di­tion. As adults, we may or may not believe that there ever lived a man called Noah who built an ark to save all the world’s inno­cent ani­mal species from a sin-cleans­ing flood. But unless we’ve tak­en a deep dive into ancient his­to­ry, we prob­a­bly don’t know that this espe­cial­ly famous Bible sto­ry was­n’t the first of its par­tic­u­lar sub­genre. As explained in the Hochela­ga video above, there are even old­er glob­al-del­uge tales to be reck­oned with.

In fact, one such myth appears in the old­est known work of lit­er­a­ture in human his­to­ry, the Epic of Gil­gamesh. “In it, the god Ea learns of this divine flood, and secret­ly warns the humans about this com­ing dis­as­ter,” says Hochela­ga cre­ator Tom­mie Trelawny. Thus informed, the king Utnapish­tim builds a giant cor­a­cle, a kind of cir­cu­lar boat “used to nav­i­gate the rivers of Mesopotamia for cen­turies.”

Like Noah, Utnapish­tim brings his fam­i­ly and a host of ani­mals aboard, and after rid­ing out the worst of the storm, finds that his craft has come to rest on a moun­tain­top. Also like Noah, he then sends birds out to find dry land. But ulti­mate­ly, “the sto­ry takes a strange turn: instead of being pleased, the gods are angry,” though Ea does step in to take respon­si­bil­i­ty and make sure that Utnapish­tim is reward­ed.

There are oth­er ver­sions with oth­er gods, floods, and ark-builders as well. In the Reli­gion for Break­fast video just above, reli­gious stud­ies schol­ar Andrew Mark Hen­ry com­pares the Bib­li­cal sto­ry of Noah and the Utnapish­tim episode of the Epic of Gil­gamesh with the “Sumer­ian flood sto­ry” from the sec­ond mil­len­ni­um BC and the two-cen­turies-old­er “Atra­ha­sis epic.” All of these ver­sions have a good deal in com­mon, not least the exec­u­tive deci­sion by an exas­per­at­ed high­er being (or beings) to wipe out almost entire­ly the human­i­ty they them­selves cre­at­ed. Iron­i­cal­ly, we mod­erns are like­ly to have first encoun­tered this tale of god­ly wrath and sub­se­quent mass destruc­tion in light­heart­ed, even cheer­ful pre­sen­ta­tions. Whether ancient Sume­ri­ans also sang about it in youth groups, no clay tablet has yet revealed.

Relat­ed con­tent:

Dis­cov­er Thomas Jefferson’s Cut-and-Paste Ver­sion of the Bible, and Read the Curi­ous Edi­tion Online

Lit­er­ary Crit­ic Northrop Frye Teach­es “The Bible and Eng­lish Lit­er­a­ture”: All 25 Lec­tures Free Online

A Map of All the Coun­tries Men­tioned in the Bible: What The Coun­tries Were Called Then, and Now

Isaac Asimov’s Guide to the Bible: A Wit­ty, Eru­dite Atheist’s Guide to the World’s Most Famous Book

Did the Tow­er of Babel Actu­al­ly Exist?: A Look at the Archae­o­log­i­cal Evi­dence

The Epic of Gil­gamesh, the Old­est-Known Work of Lit­er­a­ture in World His­to­ry

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

William Faulkner’s Review of Hemingway’s The Old Man and the Sea (1952)

Images via Wiki­me­dia Com­mons

In the mid-20th cen­tu­ry, the two big dogs in the Amer­i­can lit­er­ary scene were William Faulkn­er and Ernest Hem­ing­way. Both were inter­na­tion­al­ly revered, both were mas­ters of the nov­el and the short sto­ry, and both won Nobel Prizes.

Born in Mis­sis­sip­pi, Faulkn­er wrote alle­gor­i­cal his­to­ries of the South in a style that is both ellip­ti­cal and chal­leng­ing. His works were marked by uses of stream-of-con­scious­ness and shift­ing points of view. He also favored titan­i­cal­ly long sen­tences, hold­ing the record for hav­ing, accord­ing to the Guin­ness Book of Records, the longest sen­tence in lit­er­a­ture. Open your copy of Absa­lom! Absa­lom! to chap­ter 6 and you’ll find it. Hem­ing­way, on the oth­er hand, famous­ly sand­blast­ed the florid prose of Vic­to­ri­an-era books into short, terse, decep­tive­ly sim­ple sen­tences. His sto­ries were about root­less, dam­aged, cos­mopoli­tan peo­ple in exot­ic loca­tions like Paris or the Serengeti.

If you type in “Faulkn­er and Hem­ing­way” in your favorite search engine, you’ll like­ly stum­ble upon this famous exchange — Faulkn­er on Hem­ing­way: “He has nev­er been known to use a word that might send a read­er to the dic­tio­nary.” Hem­ing­way: “Poor Faulkn­er. Does he real­ly think big emo­tions come from big words?” Zing! Faulkn­er report­ed­ly didn’t mean for the line to come off as an insult but Hem­ing­way took it as one. The inci­dent end­ed up being the most acri­mo­nious in the two authors’ com­pli­cat­ed rela­tion­ship.

While Faulkn­er and Hem­ing­way nev­er for­mal­ly met, they were reg­u­lar cor­re­spon­dents, and each was keen­ly aware of the other’s tal­ents. And they were com­pet­i­tive with each oth­er, espe­cial­ly Hem­ing­way who was much more inse­cure than you might sur­mise from his macho per­sona. While Hem­ing­way reg­u­lar­ly called Faulkn­er “the best of us all,” mar­veling at his nat­ur­al abil­i­ties, he also ham­mered Faulkn­er for resort­ing to tricks. As he wrote to Har­vey Bre­it, the famed crit­ic for The New York Times, “If you have to write the longest sen­tence in the world to give a book dis­tinc­tion, the next thing you should hire Bill Veek [sic] and use midgets.”

Faulkn­er, on his end, was no less com­pet­i­tive. He once told the New York Her­ald Tri­bune, “I think he’s the best we’ve got.” On the oth­er hand, he bris­tled when an edi­tor men­tioned get­ting Hem­ing­way to write the pref­ace for The Portable Faulkn­er in 1946. “It seems to me in bad taste to ask him to write a pref­ace to my stuff. It’s like ask­ing one race horse in the mid­dle of a race to broad­cast a blurb on anoth­er horse in the same run­ning field.”

When Bre­it asked Faulkn­er to write a review of Hemingway’s 1952 novel­la The Old Man and the Sea, he refused. Yet when a cou­ple months lat­er he got the same request from Wash­ing­ton and Lee University’s lit­er­ary jour­nal, Shenan­doah, Faulkn­er relent­ed, giv­ing guard­ed praise to the nov­el in a one-para­graph-long review. You can read it below.

His best. Time may show it to be the best sin­gle piece of any of us, I mean his and my con­tem­po­raries. This time, he dis­cov­ered God, a Cre­ator. Until now, his men and women had made them­selves, shaped them­selves out of their own clay; their vic­to­ries and defeats were at the hands of each oth­er, just to prove to them­selves or one anoth­er how tough they could be. But this time, he wrote about pity: about some­thing some­where that made them all: the old man who had to catch the fish and then lose it, the fish that had to be caught and then lost, the sharks which had to rob the old man of his fish; made them all and loved them all and pitied them all. It’s all right. Praise God that what­ev­er made and loves and pities Hem­ing­way and me kept him from touch­ing it any fur­ther.

And you can also watch below a fas­ci­nat­ing talk by schol­ar Joseph Frus­cione about how Faulkn­er and Hem­ing­way com­pet­ed and influ­enced each oth­er. He wrote the book, Faulkn­er and Hem­ing­way: Biog­ra­phy of a Lit­er­ary Rival­ry.

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

Relat­ed Con­tent: 

When William Faulkn­er Set the World Record for Writ­ing the Longest Sen­tence in Lit­er­a­ture: Read the 1,288-Word Sen­tence from Absa­lom, Absa­lom!

The Art of William Faulkn­er: Draw­ings from 1916–1925

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

‘Nev­er Be Afraid’: William Faulkner’s Speech to His Daughter’s Grad­u­at­ing Class in 1951

5 Won­der­ful­ly Long Lit­er­ary Sen­tences by Samuel Beck­ett, Vir­ginia Woolf, F. Scott Fitzger­ald & Oth­er Mas­ters of the Run-On

Sev­en Tips From William Faulkn­er on How to Write Fic­tion

William Faulkn­er Out­lines on His Office Wall the Plot of His Pulitzer Prize Win­ning Nov­el, A Fable (1954)

Rare 1952 Film: William Faulkn­er on His Native Soil in Oxford, Mis­sis­sip­pi

Jonathan Crow is a  writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. 

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What the World Will Look Like in 250 Million Years: Mapping the Distant Future

Most of us now accept the idea that all of Earth­’s con­ti­nents were once part of a sin­gle, enor­mous land mass. That was­n’t the case in the ear­ly nine­teen-tens, when the geol­o­gist Alfred Wegen­er (1880–1930) first pub­li­cized his the­o­ry of not just the super­con­ti­nent Pangea, but also of the phe­nom­e­non of con­ti­nen­tal drift that caused it to break apart into the series of shapes we all know from class­room world maps. But as humor­ous­ly explained in the Map Men video above, Wegen­er did­n’t live to see these ideas con­vince the world. Only after his death did oth­er sci­en­tists fig­ure out just how the geo­log­i­cal churn­ing under the plan­et’s sur­face caused the con­ti­nents to drift apart in the first place.

With that infor­ma­tion in place, Pangea no longer seemed like the crack­pot notion it had when Wegen­er ini­tial­ly pro­posed it. Less wide­ly appre­ci­at­ed, even today, is the deter­mi­na­tion that, as the Map Men put it, “Pangea, far from being the orig­i­nal super­con­ti­nent, was actu­al­ly the eleventh to have formed in Earth­’s his­to­ry.”

It seems that the con­ti­nents have been cycli­cal­ly break­ing apart and com­ing togeth­er again, with no sign of the process stop­ping. When, then, will we next find our­selves back on a super­con­ti­nent? Per­haps in 250 mil­lion years or so, accord­ing to the “Novopangea” mod­el explained in the video, which has the Pacif­ic ocean clos­ing up as Aus­tralia slots into East Asia and North Amer­i­ca while Antarc­ti­ca drifts north.


Oth­er mod­els also exist, includ­ing Auri­ca, “where Eura­sia splits in half, and both the Pacif­ic and Atlantic oceans close up”; Pangea Ulti­ma, “where Britain gets clos­er to Amer­i­ca”; and Ama­sia, “where all the con­ti­nents con­gre­gate around the North Pole, except Antarc­ti­ca” (whose drift pat­terns make it seem like “the lazi­est con­ti­nent”). At this kind of time scale, small changes in the basic assump­tions can result in very dif­fer­ent-look­ing super­con­ti­nents indeed, not that any of us will be around to see how the next Pangea real­ly takes shape. Nev­er­the­less, in this age when we can hard­ly go a week with­out encoun­ter­ing pre­dic­tions of human­i­ty’s immi­nent extinc­tion, it’s refresh­ing to find a sub­ject that lets us even con­sid­er look­ing a quar­ter-bil­lion years down the road.

Relat­ed Con­tent:

A Bil­lion Years of Tec­ton­ic-Plate Move­ment in 40 Sec­onds: A Quick Glimpse of How Our World Took Shape

The Plate Tec­ton­ic Evo­lu­tion of the Earth Over 500 Mil­lion Years: Ani­mat­ed Video Takes You from Pangea, to 250 Mil­lion Years in the Future

Map Show­ing Where Today’s Coun­tries Would Be Locat­ed on Pangea

Pangea to the Present to the Future: Watch Ani­ma­tions Show­ing 500 Mil­lion Years of Con­ti­nen­tal Drift

Paper Ani­ma­tion Tells Curi­ous Sto­ry of How a Mete­o­rol­o­gist The­o­rized Pan­gaea & Con­ti­nen­tal Drift (1910)

A Web Site That Lets You Find Your Home Address on Pangea

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

What Was Smoot-Hawley, and Why Are We Doing It Again? Anyone? Anyone?

When most Amer­i­cans think of the Smoot-Haw­ley Tar­iffs, they think of eco­nom­ic dis­as­ter. But if you ask why, most Amer­i­cans may need a short refresh­er course. Below, you will find just that. Appear­ing on Derek Thomp­son’s Plain His­to­ry pod­cast, Dou­glas Irwin (an econ­o­mist and his­to­ri­an at Dart­mouth) revis­its the 1930 Smoot-Haw­ley Tar­iff Act, which raised tar­iffs on over 20,000 prod­ucts import­ed into the Unit­ed States. The law was passed despite warn­ings from exec­u­tives like Hen­ry Ford (who called the tar­iff act “an eco­nom­ic stu­pid­i­ty”) and a peti­tion signed by 1,028 Amer­i­can econ­o­mists, who argued that the tar­iffs would raise prices and spark a trade war, leav­ing the Unit­ed States iso­lat­ed. Their con­cerns were ulti­mate­ly well-found­ed. The Smoot-Haw­ley Tar­iffs, sup­port­ed by a Repub­li­can pres­i­dent and Con­gress, had the unin­tend­ed con­se­quence of deep­en­ing, not end­ing, the Great Depres­sion.

Mark Twain alleged­ly said that “His­to­ry doesn’t repeat itself, but it often rhymes.” But some­times his­to­ry may well repeat itself or come very close, and that’s where we seem to be head­ed right now. As in 1930, we have Repub­li­cans imple­ment­ing new tar­iffs, but this time with the hope of re-engi­neer­ing the world econ­o­my and bring­ing man­u­fac­tur­ing back to Amer­i­ca. Mean­while, econ­o­mists (even con­ser­v­a­tive ones) warn that these poli­cies risk repeat­ing the mis­takes of Smoot-Haw­ley.

Below you can hear the assess­ment of the eco­nom­ic his­to­ri­an Niall Fer­gu­son, who, in speak­ing with Bari Weiss, explains why Don­ald Trump’s tar­iffs will fail to re-indus­tri­al­ize Amer­i­ca. The gold­en age of man­u­fac­tur­ing in Amer­i­ca is long gone, and it’s not com­ing back, part­ly thanks to automa­tion. (Mor­gan Housel has more to say on that.) But even worse, the chaot­ic imple­men­ta­tion of these poli­cies risks trig­ger­ing a trade war, “a major finan­cial cri­sis com­pa­ra­ble in scale to 2008,” or even a mil­i­tary cri­sis that an iso­lat­ed Amer­i­ca would be ill-equipped to han­dle. Speak­ing on Meet the Press this week­end, investor Ray Dalio omi­nous­ly voiced very sim­i­lar con­cerns, say­ing “some­thing worse than reces­sion” may be on the hori­zon.

For anoth­er take, you can hear Preet Bharara’s con­ver­sa­tion with Justin Wolfers, where the Aus­tralian econ­o­mist warns that Trump’s tar­iffs may have few ben­e­fits and most­ly costs, some quite pro­found. By launch­ing a trade war, Amer­i­ca will trade less and find its glob­al influ­ence dimin­ished, leav­ing a void that Chi­na can fill. Echo­ing Niall Fer­gu­son, Wolfers also cau­tions that you can’t turn back the eco­nom­ic clock. He notes:

A hun­dred years ago, we had actu­al­ly the same debate, but it was because we were mov­ing from the land, from a pre­dom­i­nant­ly agri­cul­tur­al econ­o­my, to a man­u­fac­tur­ing-based econ­o­my. And we moved from an enor­mous share of the pop­u­la­tion work­ing in agri­cul­ture to work­ing in man­u­fac­tur­ing, and that raised the Amer­i­can mid­dle class.

There was a lot of nos­tal­gia. Why aren’t we back on the land? And the sub­se­quent stage of eco­nom­ic devel­op­ment is we move out of the fac­to­ries, and we move and become engi­neers and com­put­er sci­en­tists and soft­ware design­ers. And we’re in a much more cog­ni­tive econ­o­my.
And we are not inhal­ing black soot in our mines or in our fac­to­ries dur­ing the day. And that’s the future of the Amer­i­can econ­o­my. And it’s one that speaks well to the skills that Amer­i­cans have.

We’re the most edu­cat­ed work­force in the world. And so pre­sum­ably the jobs of the future are those, the jobs we want are those that cater to the extreme pro­duc­tiv­i­ty and edu­ca­tion of Amer­i­can work­ers.

How have we reached the point where we’re run­ning the same failed exper­i­ments again, all to reclaim an illu­so­ry bygone eco­nom­ic age? It’s a hard ques­tion to con­tem­plate, but I ask that ques­tion again. Any­one? Any­one? Any­one?

Relat­ed Con­tent 

The Steps a Pres­i­dent Would Take to Destroy His Nation, Accord­ing to Elon Musk’s AI Chat­bot, Grok

Free Online Eco­nom­ics & Finance Cours­es

Strik­ing Poster Col­lec­tion from the Great Depres­sion Shows That the US Gov­ern­ment Once Sup­port­ed the Arts in Amer­i­ca

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How Chinese Characters Work: The Evolution of a Three-Millennia-Old Writing System

Con­trary to some­what pop­u­lar belief, Chi­nese char­ac­ters aren’t just lit­tle pic­tures. In fact, most of them aren’t pic­tures at all. The very old­est, whose evo­lu­tion can be traced back to the “ora­cle bone” script of thir­teenth cen­tu­ry BC etched direct­ly onto the remains of tur­tles and oxen, do bear traces of their pic­to­graph ances­tors. But most Chi­nese char­ac­ters, or hanzi, are logo­graph­ic, which means that each one rep­re­sents a dif­fer­ent mor­pheme, or dis­tinct unit of lan­guage: a word, or a sin­gle part of a word that has no inde­pen­dent mean­ing. Nobody knows for sure how many hanzi exist, but near­ly 100,000 have been doc­u­ment­ed so far.

Not that you need to learn all of them to attain lit­er­a­cy: for that, a mere 3,000 to 5,000 will do. While it’s tech­ni­cal­ly pos­si­ble to mem­o­rize that many char­ac­ters by rote, you’d do bet­ter to begin by famil­iar­iz­ing your­self with their basic nature and struc­ture — and in so doing, you’ll nat­u­ral­ly learn more than a lit­tle about their long his­to­ry.

The TED-Ed les­son at the top of the post pro­vides a brief but illu­mi­nat­ing overview of “how Chi­nese char­ac­ters work,” using ani­ma­tion to show how ancient sym­bols for con­crete things like a per­son, a tree, the sun, and water became ver­sa­tile enough to be com­bined into rep­re­sen­ta­tions of every­thing else — includ­ing abstract con­cepts.

In the Man­darin Blue­print video just above, host Luke Neale goes deep­er into the struc­ture of the hanzi in use today. Whether they be sim­pli­fied ver­sions of main­land Chi­na or the tra­di­tion­al ones of Tai­wan, Hong Kong, and else­where, they’re for the most part con­struct­ed not out of whole cloth, he stress­es, but from a set of exist­ing com­po­nents. That may make a prospec­tive learn­er feel slight­ly less daunt­ed, as may the fact that rough­ly 80 per­cent of Chi­nese char­ac­ters are “seman­tic-pho­net­ic com­pounds”: one com­po­nent of the char­ac­ter pro­vides a clue to its mean­ing, and anoth­er a clue to its pro­nun­ci­a­tion. (Not that it nec­es­sar­i­ly makes deci­pher­ing them an effort­less task.)

In the dis­tant past, hanzi were also the only means of record­ing oth­er Asian lan­guages, like Viet­namese and Kore­an. Still today, they remain cen­tral to the Japan­ese writ­ing sys­tem, but like any oth­er cul­tur­al form trans­plant­ed to Japan, they’ve hard­ly gone unal­tered there: the NativLang video just above explains the trans­for­ma­tion they’ve under­gone over mil­len­nia of inter­ac­tion with the Japan­ese lan­guage. It was­n’t so very long ago that, even in their home­land, hanzi were threat­ened with the prospect of being scrapped in the dubi­ous name of mod­ern effi­cien­cy. Now, with those afore­men­tioned almost-100,000 char­ac­ters incor­po­rat­ed into Uni­code, mak­ing them usable through­out our 21st-cen­tu­ry dig­i­tal uni­verse, it seems they’ll stick around — even longer, per­haps, than the Latin alpha­bet you’re read­ing right now.

Relat­ed con­tent:

Free Chi­nese Lessons

What Ancient Chi­nese Sound­ed Like — and How We Know It: An Ani­mat­ed Intro­duc­tion

Dis­cov­er Nüshu, a 19th-Cen­tu­ry Chi­nese Writ­ing Sys­tem That Only Women Knew How to Write

The Improb­a­ble Inven­tion of Chi­nese Type­writ­ers & Com­put­er Key­boards: Three Videos Tell the Tech­no-Cul­tur­al Sto­ry

The Writ­ing Sys­tems of the World Explained, from the Latin Alpha­bet to the Abugi­das of India

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.


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